Bearing witness to exceptional violence in the Global South: Storytelling and healing in Cambodian survivor narratives
This news article details Professor Minoli Salgado’s fellowship with the Stellenboch Institute for Advanced Studies…
‘Rotten Women in Coralie Fargeat’s The Substance (2024)’
Read Muzna Rahman’s blog for Food, Fatness and Fitness:
Judith Kerr: read her autobiographies to understand The Tiger Who Came to Tea
Ellie Byrne writes for The Conversation.
Climate change: children are carving out a place in politics – now adults must listen and act
Ellie Byrne writes for The Conversation.
Malorie Blackman’s Noughts and Crosses uses critical dystopia to challenge us to build a better future
Blanka Grzegorcyzk writes for The Conversation.
Step carefully, comedian! What can we laugh about in an increasingly absurd world? Comedians try to find a way between chaos and cosiness
Sarah Ilott in interview for Norway’s Morgenbladet.
Edgy Joke or Weaponised Comedy? Knowing when humour crosses a line
Sarah Ilott is interviewed for the Australian Broadcasting Corporation.
How Boris Johnson Hijacks Comedy to Oppress
Chortle’s coverage of a panel event on ‘Comedy, Censorship, and Free Speech’ featuring Sarah Ilott.…
Man Like Mobeen: BBC Comedy Defies Muslim Stereotypes
Sarah Ilott writes for The Conversation.
A Feminist Critique of We Are Lady Parts
Watch Muzna Rahman’s film essay here as part of the Diaspora Screen Media Network’s AHRC…